IMMER - 2014
We try to make sense of experience, memories, people. Where we are and where we’ve been. We try to order what might come, but all we have are the collected ephemera, the repetition, repetition, repetition of what came before circling our heads, what might come again, what might come that is completely unknown. We remain in our cubes, trying to escape (huir) the page as it seems to be written, the languages creating phrases in our minds, or we’re unterwegs, immer in flight. Immer might be the best way to say siempre, always, toujours, всегда.
What do we look for in constant movement? What can’t be found staying always (immer, toujours) in one place? These pieces are not an answer, but an exploration. A reflection.
Shadows and Light, Rebekah Smith, 2014
What do we look for in constant movement? What can’t be found staying always (immer, toujours) in one place? These pieces are not an answer, but an exploration. A reflection.
Shadows and Light, Rebekah Smith, 2014
Quickly disappeared, 40 x 50 cm. Collage and Acrylic and Pencil on Canvas.
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The Signs of Repetition (Love), 40 x 50 cm, Collage, Watercolor and Acrylic on Canvas.
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First Transformation, 40 x 50 cm, Collage, Watercolor and Acrylic on Canvas.
Ready to Fly, 40 x 50 cm, Acrylic on Canvas.
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Explosion (Before Change) , 40 x 50 cm, Collage, Watercolor and Acrylic on Canvas.
Cadenas Montañosas, 20 x 30 cm., Collage, Watercolor and Acrylic on Canvas.
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From Left to Right:
Neu - U Bahn - Geometrical Relations - Maximum Joy - Understanding your Options - Avoiding the Issue - YOU (Fighter of Life).
20 x 20 cm, Collage and Acrylic on Canvas.
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